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![](https://static.wixstatic.com/media/3c867d_814e5d22c2cd45388bb975a881ff6458.jpg/v1/fill/w_1920,h_1200,al_c,q_90,enc_avif,quality_auto/3c867d_814e5d22c2cd45388bb975a881ff6458.jpg)
![](https://static.wixstatic.com/media/3c867d_814e5d22c2cd45388bb975a881ff6458.jpg/v1/fill/w_950,h_60,al_c,q_80,usm_0.66_1.00_0.01,enc_avif,quality_auto/3c867d_814e5d22c2cd45388bb975a881ff6458.jpg)
Eric A. Koger
![](https://static.wixstatic.com/media/3c867d_814e5d22c2cd45388bb975a881ff6458.jpg/v1/fill/w_315,h_370,al_c,q_80,usm_0.66_1.00_0.01,enc_avif,quality_auto/3c867d_814e5d22c2cd45388bb975a881ff6458.jpg)
by Diana Son
The remodeled loft offered 3-D brick, wooden floors, lots of nooks for props and an awesome motivational light source, the tracklight. Time of day shifts were very effective given the window blinds. Directional lighting from other rooms and the hallway also provided an environmental realism.
Stop Kiss
![Stopkiss 3.jpg](https://static.wixstatic.com/media/3c867d_bce14beb23b6429f8cf6e33456abb8b9.jpg/v1/fill/w_980,h_735,al_c,q_85,usm_0.66_1.00_0.01,enc_avif,quality_auto/3c867d_bce14beb23b6429f8cf6e33456abb8b9.jpg)
Stopkiss 3.jpg
![Stopkiss 2.jpg](https://static.wixstatic.com/media/3c867d_7dc2f59c6edb4879ae0b0ffb958a120a.jpg/v1/fill/w_980,h_735,al_c,q_85,usm_0.66_1.00_0.01,enc_avif,quality_auto/3c867d_7dc2f59c6edb4879ae0b0ffb958a120a.jpg)
Stopkiss 2.jpg
![Stopkiss 1.jpg](https://static.wixstatic.com/media/3c867d_344564a8d1d445528693d341af8d98ab.jpg/v1/fill/w_980,h_735,al_c,q_85,usm_0.66_1.00_0.01,enc_avif,quality_auto/3c867d_344564a8d1d445528693d341af8d98ab.jpg)
Stopkiss 1.jpg
![Stopkiss 4.jpg](https://static.wixstatic.com/media/3c867d_05bd11bf414d458fafae97c65b429547.jpg/v1/fill/w_980,h_735,al_c,q_85,usm_0.66_1.00_0.01,enc_avif,quality_auto/3c867d_05bd11bf414d458fafae97c65b429547.jpg)
Stopkiss 4.jpg
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